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Sir Simon Rattle

Born in Liverpool in 1955, Sir Simon Rattle has been Chief Conductor of the Berliner Philharmoniker and Artistic Director of the Berliner Philharmonie since September 2002. At the age of twenty-five, following his studies at London’s Royal Academy of Music, he entered into close association with the City of Birmingham Symphony Orchestra (CBSO), initially as Principal Conductor and Artistic Adviser, then – up until the 1998 season – as their Musical Director. His tireless work, the visionary artistic projects as well as the many recordings both for television and on disc have rendered the CBSO one of the world’s top-ranking orchestras.

It goes without saying that, as a concert and opera conductor, Simon Rattle’s multifaceted repertoire covers compositions ranging from the Baroque era to those of New Music. Rattle is also Principal Guest Conductor of the Orchestra of the Age of Enlightenment, works with the leading orchestras on both sides of the Atlantic, and, together with the Vienna Philharmonic, for example, has worked out, amongst others, a complete Beethoven cycle. Even before taking up his post as Chief Conductor, Simon Rattle had already collaborated with the Berliner Philharmoniker for fifteen years, making his début on November 14, 1987 with Mahler’s Sixth and appearing regularly on the conductor’s rostrum in the years that followed. Among the recordings made during this period, releases to date include Liszt’s Faust-Symphonie, Schoenberg’s Gurrelieder and Deryck Cooke’s revised version of Mahler’s Tenth, the last-mentioned winning various prizes as well as a coveted Grammy.

In his most recent recordings with the Berliner Philharmoniker Simon Rattle has dedicated himself to Mahler’s Fifth, which was recorded live at his inaugural concerts as the orchestra’s Chief Conductor, to Beethoven’s Fidelio, also recorded live at the Philharmonie in April 2003, as well as to Messiaens Éclairs sur l’Au delà, a live recording from June 2004.

SIR SIMON RATTLE
„You don’t know whether it is joy, terror or anger or maybe a mixture of all those things...“
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